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“Practice Makes Permanent”

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By Oliver Oliveros, Editor-In-Chief

Several times in the past 10 years, I was able to work with Philippine-based concert and theater director Freddie Santos, who is now directing the well-received Manila run of “Noli Me Tangere: The Opera,” the same production, produced by businesspeople Loida Nicolas Lewis, Jerry Sibal, and Edwin Josue, which premiered in Manhattan last Fall, and played at the Kennedy Center in Washington, D.C. last summer.

Interestingly, besides the fact that Direk Freddie was one of the pioneering image consultants of singer Chona Velasquez aka Regine Velasquez when she was just starting out in the music business in the '90s; and Direk Freddie has written one of my favorite songs recorded by Gary Valenciano, which was “Could You Be Messiah”; it was also Direk Freddie who tried to correct me when I once told a theater actor that “practice makes perfect.”

“Oliver, practice makes permanent, not perfect,” Direk Freddie said.

Come to think of it, he was right. Perf…